Nassau County Museum of Art
 
Annual Appeal - Support the Museum  |  Membership

One Museum Drive, Roslyn Harbor, New York 11576 . 516.484.9338

To read our November 2017 Issue,
click here.

To visit our Muse News Archive,
click here.

To receive news of exhibitions and programs at the museum please enter your email address below.

EMAIL ADDRESS:

Maxfield Parrish
Paintings and Prints from the
National Museum of American Illustration

 

Maxfield Parrish (1870-1966), Jack and the Giant, 1908, oil on paper, 22” x 16”, signed and dated lower left, also Collier's Magazine, July 30, 1910, © Copyright 2015 National Museum of American Illustration, Newport, RI, Photos courtesy Archives of American Illustrators Gallery, New York, NY Maxfield Parrish (1870-1966), June Skies, 1940, oil on panel, 23” x 18 1/2”, signed and dated lower right, Brown & Bigelow calendar, 1943, © Copyright 2015 National Museum of American Illustration, Newport, RI, Photos courtesy Archives of American Illustrators Gallery, New York, NY

 

Works by the American imagist Maxfield Parrish (1870-1966), one of the greats of the Golden Age of Illustration, will be on view from November 21, 2015 to February 28, 2016. The works are drawn from the National Museum of American Illustration, Newport, Rhode Island, and curated by Judy and Laurence S. Cutler, co-founders of the National Museum of American Illustration.

Maxfield Parrish: Paintings and Prints from the National Museum of Illustration embodies the artist’s long career and extraordinary accomplishments, displaying Parrish’s lush coloristic effect with amazing detail. The exhibition includes original artworks as well as a large collection of vintage prints. Through this showing of artworks and vintage reproductions, today’s viewers will have the unique opportunity to see the way that viewers of an earlier age observed these images, comparing the mass-produced reproductions against the original luminous canvases.

Parrish described himself as “a businessman with a brush,” and was proud of his ability to market his artwork to the public. In 1904, a time that that the average annual income for an American worker was $500 or less, Parrish signed a six-year contract with Collier’s Magazine for $1,250 per month. His fee rose to $2,000 a painting, but each Parrish cover was a guaranteed sell out for that month’s edition of Collier's.

Parrish’s universally popular and instantly recognizable images were produced between the late 1890s through the mid 1960s; they were seen on magazine covers, greeting cards, art prints, calendars, novels, advertisements and packaging. Clear and bold, with uncomplicated subjects, Maxfield Parrish's art prints papered the walls of American homes for decades.

 

The Museum is offering several programs that will serve to enhance the experience of viewing this exhibition of works by Maxfield Parrish.

Screening Daily
Parrish Blue: American Art History

December 5
Maxfield Parrish and the American Imagists

December 17, January 7, February 4
Brown Bag Lectures

December 19
The Early 20th Century: A Mélange of Musical Landscapes